Posts Tagged ‘studio’

I usually record bass guitar both through a DI and through an amp. The DI provides a lot of the weight and lower harmonics, and the amp adds low-mid punch and definition to the sound. I’ve been relatively happy using standard DI boxes (Whirlwind, Radial, etc.) through my rather strange but wonderful Peavey VMP-2 tube preamp.

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That monster is one great bass preamp. And between the two, the sound has been good.

But then I stumbled on this thing:

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The A-Designs Audio, Reddi Tube Direct Box. Quite simply put, this is an indispensable piece of studio gear for those who want rich, multi-harmonic bass sounds from an electric bass guitar in the recording studio. I auditioned one for a project and immediately went and bought one. It was that good. The direct sound I was able to get from my Fender American Deluxe P-Bass was ridiculous! So ridiculous that it gave me enough low-mid punch, along with lower harmonics, when tracked through my Focusrite ISA 430 Producer Pack Channel Strip (with very little eq), that I decided to go straight into the board without the amp for the bass on Mundo Brew’s latest CD. The sound was great, and the mixing simple – the bass sat in the mix like a champ!

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So, as a project studio, owned by someone who records, mixes, and masters “on the side,” I’m often approached by artists who are looking for a deal – which sometimes means they expect free service. In many instances, these are friends, or friends of friends, and in some instances they are really good artists – the kind I’d love working with! There is a part of me that would love to do this free of charge. I love what I do, and I love helping others achieve their musical goals. Early on, as I was “working on my chops” I did a few free projects – which took some of the pressure off and helped. When I listen back to some of those projects, I’m glad I didn’t charge!

As I got better, I found myself 50-75 hours into a project, listening to an artist ask me to “tweak” something (which sometimes would take several hours) and saying to myself: “I’d feel a lot better about this is I were getting paid!” True enough.

So about 10 years ago I started charging for my services. In my humble opinion, I’m still “a steal” if you compare my work to comparable work. And at this time I mostly charge by the project, rather than by the hour, which allows me to be the laid back guy that I like to be in the studio – and not to worry when I’m a little slower than some (perfectionist that I am).

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