Archive for May, 2019

John Wiley Nelson (a.k.a. “The Rev”) is a folk and bluegrass songwriter residing in Provincetown, Massachusetts. He was the manager of WOMR, the local public broadcasting station there form some years, and still acts as DJ for a regular bluegrass show. He has recorded several CDs here at Jonymac Studio. Over the years, he has focused more and more attention on hiring the finest award-winning musicians for his CDs: Stuart Duncan on fiddle, Adam Steffey on mandolin, Randy Kohrs on resonator (dobro), Ron Stewart on banjo, and most recently Kenny Smith on acoustic rhythm and lead guitars. He also brings in Kenny and Amanda Smith to produce and perform his vocals. Due to the busy schedules of all of these musicians, it is impossible to get them all together at one time to record. We have to multi-track, working around their schedules. Here’s the process:

  • The Rev records a rough vocal and rhythm guitar track to click for all songs (I accompany him on guitar)
  • The Rev creates an arrangement sheet, identifying clearly who plays rhythm, fills, or leads during each song.
  • Kenny Smith comes in and records a rhythm track for all songs, replacing my scratch guitar track.
  • Kenny then records any lead acoustic guitar work needed
  • I record an acoustic bass track
  • This improved rough mix is sent to:
    • Adam Steffey who records his mandolin tracks at his preferred studio (sometimes Ron Stewart’s Sleepy Valley Barn in Paoli, Indiana)
    • Randy Kohrs who records his resonator tracks at his studio (Slack Key Studios, Nashville, TN)
    • Ron Stewart records his tracks at his studio: Sleepy Valley Barn in Paoli, Indiana
  • These artists send their stems to me digitally to put into the mix
  • The Rev comes back into the studio and records his final vocal tracks
  • Kenny and Amanda come in to do background harmony vocals
  • Stuart Duncan comes in to the studio here and records his fiddle tracks which provide the “glue” on the CD.
  • The Rev and I do a good early mix for each song
  • I finish the mixing and mastering

Because of the quality of musicianship, this process works wonderfully.

One final thing that really helped this new CD. I’ve been less than happy with the basic sound palette when recording and mixing acoustic music such as bluegrass “in the box” in Logic (Pro Tools is not better), so I added an instantiation of Slate Virtual Mix Channel’s Neve console emulation on each bus, and on the Mixbus, and it made an amazing difference. I strongly recommend this! The sound is warmer, rounder, more listenable. The CD will be available on iTunes, Spotify, Napster, CD Baby, etc. soon. To hear a sneak preview, go here!

raalb01556550Credenda is a family band: see more here! Three siblings sing awesome harmonies, and the mother performs on keyboard. They came in and tracked a 6 song EP last summer, and we finished up the mixing in the fall. They released the project a few months ago. Kim Mclean produced the CD and brought in Andy Hull on drums, his son Evan Hull on electric guitar and bass, and Charlie Chamberlain on electric guitar and mandolin. The tracking sessions were very creative and spontaneous, and Mclean gave the artists a lot of room to experiment on each track. The results were beautiful. IMG_9103

We first tracked the drums, percussion, bass and rhythm guitars, along with a scratch vocal track. Because the energy between the siblings was so good on vocals, and I didn’t want to lose that, I recorded the vocals at the same time, after the rhythm and lead tracks were in place. That also gave me an opportunity to try out a couple of microphones I had recently hand-wired and modified, using parts from Micparts.com. I had done their Rode NT-2 modification with one of their RK-47 capsules on my old Rode NT-2 microphone, and their Studio Projects C3 modification on an old C3 I got on Ebay. I had also recently asked Shannon Rhodes do one of his incredible modifications on my MikTek CV-4 (more on that in another post soon!), and used that for the lead vocals. All three modifications took the vocals to a new level, and combined with the live three-part recording, the effect is great! Take a listen here!